Looking Elsewhere: November 21, 2005
Monday's specials:
Will you be using Narnia toilet tissue?
Mmmmmm. Soft as Aslan's fur....
The Top 100 Spiritually Significant Films?
According to a vote of a large crowd of Christian cinephiles, these are the 100 films you should take the time to explore, contemplate, and discuss. (The full article is at Looking Closer. An abridged edition is at Christianity Today Movies.)
Mel Gibson sues CleanFlicks for editing The Passion of the Christ!
Yes! I hope he wins. And that many other directors follow. If it's not suitable for children, then don't show it to your kids. Don't go cutting it up and teaching your children that art should be custom-altered based on personal preference. That's an invitation to the censors, and to an eventual damaging of films that offer profound visions of truth. (via Chattaway's FilmChat.) For more on this subject, re-visit this.
How did Oprah get her start? Dating Roger Ebert.
Who knew?
And today's genius award goes to...
Looking Elsewhere: November 20, 2005
Sunday's specials:
SATAN WILL BE "WHATEVER YOU WANT HER TO BE"
Thanks to Chattaway for catching this alarming quote from Tilda Swinton, who plays the White Witch in The Lion, the Witch and the Wardrobe:
Disney is counting on the film to lure mainstream audiences while holding a special appeal to evangelical Christians, who the studio expects will respond to Lewis's biblical allegories.
But when the issue of religion surfaced at Thursday's promotional event, Swinton played it safe. Asked by one child if her character Jadis, the White Witch, represented Satan, the actress answered: "You can read it however you want, and it can grow in your mind. So, I can be whatever you want me to be."
Huh. That sounds so much like something the White Witch herself would say. I wonder if she then handed him some Turkish Delight.
DRUNKARD'S PRAYER IN STOCKING CAPS
My friend Todd Truffin, a whimsical writer with impeccable taste in music, reports from Belleville, Ohio, where Over the Rhine and Kim Taylor endured the cold to deliver a warm and wonderful set.
URBANIAK ALERT
Rumor has it that the new Aaron Sorkin-scripted series Studio 7, which follows the SportsNight approach except that it focuses on a sketch-comedy show, may star James Urbaniak, who was fantastic in Henry Fool and American Splendour. Woo hoo!
HARRY POTTER AND THE OPENING DAY OF FIRE
Think of the millions more who are going to rush right out and start studying witchcraft!
Walk the Line (2005)
Imagine a film about the life of Tom Cruise that pretends that his marriage to Katie Holmes was a thrilling triumph, and all of that stuff about Nicole Kidman and Mimi Rogers was just an unfortunate prologue. Now imagine if that film only made a couple of sketchy, passing references to Scientology. Would you accept this film as the proper monument to Cruise?
Or better, imagine a film about the story of Bono and U2 without mention of the Bible study where the band members became close friends and began their career-long exploration of Christian faith. Imagine if that film avoided scenes of Bono in daily prayer. And how could we accept a film about Bono that said next-to-nothing about his journeys to Africa and his passion to bring help to the poor and the dying there?
James Mangold's new film about the life of Johnny Cash, Walk the Line, burns, burns, burns with energy and explosive musical performances. Following the narrative arc of last year's musical biopic Ray, screenwriter Gil Dennis brings spirit, energy, and humor to the story, with both eyes on Cash’s autobiographies. And the words ignite onscreen, fueled by volatile and Oscar-worthy turns by Joaquin Phoenix and Reese Witherspoon.
But oh, what a mangled mess Mangold has made of things.
Looking Elsewhere: November 19, 2005
Thursday's specials:
DEFENDING LEWIS
Hooray for GetReligion, as they expose the bloodthirsty journalists trying to get their knives into C.S. Lewis. I'm confident that the "deeper magic" of Lewis's stories will rise up and conquer character assassinations.
DEFENDING POTTER
You've seen my review at Looking Closer's movie page. Now here's Chattaways' review. Sounds like we agree on most things. We'll continue to defend the boy against those Christian film critics who continue to condemn the series by saying it "glorifies witchcraft" instead of understanding the tradition of magic in literature as a versatile device representing mystery, talent, technology, etc. (Apparently Focus on the Family still insists that good parents will steer their children clear of Potter.)
DEFENDING PROPER PUNCTUATION
Hooray for the Apostrophe-Abuse blog, the most delightful site I've stumbled upon this week!
OFFENDING MANY
Hooray for John Malkovich and Johnny Depp, two actors I dearly love! But it's FAR too early to issue a "hooray" for their new movie The Libertine. Hey, kids who like Charlie and the Chocolate Factory, you'd better ask your parents before you go see Depp's newest film!
DEFENDING CATHOLICISM
For those who read my previous post on Mars Hill and erroneous objections to Catholicism, please check the updated version of the post. Steven Greydanus has stepped in to clarify some things.
Animation up for Oscar
Movie City News lists the competitors.
Which film do you think deserves the Oscar? I think I'm leaning toward Wallace and Gromit, even though I prefer the story of Corpse Bride. And Howl's Moving Castle really is extraordinary to look at, even if it's not one of Miyazake's true masterpieces.
"Chicken Little"
"Gulliver's Travel"
"Hoodwinked"
"Howl's Moving Castle"
"Madagascar"
"Robots"
"Steamboy"
"Tim Burton's Corpse Bride"
"Valiant"
"Wallace & Gromit: The Curse of the Were-Rabbit"
Driscoll's anti-Catholic rant
---THIS POST HAS BEEN UPDATED. Check out the input from Steven Greydanus.---
... at least, that's the allegation made in a student editorial in SPU's student newspaper The Falcon on the issue of division within the church. If the student's report is accurate, well, I can only applaud.
I've been reading Catholicism and Fundamentalism, by Karl Keating, and Evangelicalism is Not Enough, by Thomas Howard (who has long been one of my favorite writers), and both of them go a long way to showing just how poorly researched, how outrageous, and how narrow-minded are most Protestant objections to the Catholic faith. And reading now about Mark Driscoll's protests, audaciously and naively delivered from the pulpit, I see these shoddy objections being perpetuated... without any effort being made to find out if true Catholicism actually asserts these things, without any effort being made to ask a devout Catholic if these claims hold any water.
(I know I'm going to get some angry email now from anti-Catholics. I won't be able to answer those messages until the complainants have bothered to read these manuscripts for themselves to see what I'm talking about. When authors like Keating and Howard have provided such researched and thoughtful answers, there's no need for me to duplicate their work.)
So, three cheers for Amanda Lengyel on a much-needed editorial. And shame on Rev. Driscoll for perpetuating such falsehoods from the pulpit.
UPDATE: I've asked my colleague Steven D. Greydanus, himself a Catholic, to respond to the editorial. Here's his reply:
It does sound like Driscoll's sermon reflected an embarrassing degree of flat-out ignorance and error.
The student newspaper rebuttal is certainly a step in the right direction, although she makes a number of mistakes as well. In fact, in several cases she simply turns Driscoll's errors on their head, since Driscoll's errors are often false either/or dichotomies when the correct solution is both/and.
For example, Driscoll says that the Church teaches that we are saved by baptism, not by grace, whereas the student says the teaching is that we are saved by grace, not by baptism.
Neither is correct, or rather, both are half right and half wrong. The student is certainly right to emphasize that the Catholic Church teaches that we are saved by grace alone, solely through the merits of Jesus Christ. That is true.
However, it is also correct to say, as all Christians until the Reformation did say, that Jesus saves us through baptism, and thus that we are saved by baptism. Baptism saves us precisely by the action of Jesus Christ in the sacrament applying his own merits and grace to us, but still we are saved by baptism.
The student is on shaky ground in saying that baptism is "a sacrament, not a requirement." It would be more accurate to say that baptism is BOTH a sacrament AND a requirement -- not an absolutely exceptionless requirement (meaning that all the unbaptized are in hell, which is not true), but still a requirement, not an option.
Again, Driscoll says that in confession the priest, not God, forgives sins, whereas the student says that God, not the priest, forgives sins. But Jesus said to the apostles, "If you forgive the sins of any, they are forgiven" (John 20:23). The verb "forgive" is used twice, once predicated on the apostles (explicitly), and once predicated on God (implicitly).
Likewise, the Catholic teaching is that the sins forgiven by the priest are also forgiven by God, which is to say, God forgives our sins through the absolution of the priest. It's both/and, not either/or.
Looking Elsewhere: November 17, 2005
Wednesday specials:
THIS YEAR'S DEMILLE
Lecter will get some lovin'.
DOES ASLAN HAVE A THEME?
Listen to clips from the first Narnia soundtrack here!
WALTER SEZ: GO SHOPPING!
After stirring things up with his controversial post about Wendell Berry, now Adam Walter's stirring a different pot... he really liked Shopgirl!
IMAGE ANTHOLOGIZED
CONGRATULATIONS to Greg Wolfe and Image journal! You'll find the following news in their new Image Update.
Every year, Image is proud to publish some of the highest quality writing in the country, and it always gives us an extra boost to be anthologized alongside the best periodicals in the world. So, we wanted to alert you to a few recent “Best of” collections that have selected Image pieces for inclusion this year. (Editors of these collections choose writing from The New Yorker, Atlantic Monthly, and First Things, to drop a few big names.) For starters, Books & Culture editor John Wilson chose two pieces that were originally published in Image to be included in The Best Christian Writing 2006 : Greg Wolfe's editorial statement from issue #41, “Picturing the Passion,” and Paul J. Willis's piece, “Spokane: a Triptych,” from issue #40 are gathered with essays by Bill McKibben and Lauren Winner, an interview with Eugene Peterson, and pieces by Virginia Stem Owens, Frederica Mathewes-Green, Nicholas Wolterstorff, and many others. Second, the latest edition of The Best American Spiritual Writing includes Richard Chess's poem “Kaddish” from Image #42. Everything in this volume is worth dipping into, with notable entries by Robert Cording, Patricia Hampl, and Thomas Lynch. Finally, Garret Keizer's poem “Hell and Love,” originally published in Image #40, appears in The Best American Poetry 2005 among the exalted company of Tony Hoagland, W. D. Snodgrass, and Adrienne Rich. Be sure to check out these cameo appearances if you haven't read them in Image yet, and while you're at it, acquaint yourself with other excellent poetry, nonfiction, and spiritual writing from the past year.
Kate Bush raves
I sat spellbound a few nights ago basking in the glow of Aerial, the new double-album from Kate Bush.
Apparently, I'm not the only one.
This is a delightful surprise in an otherwise unremarkable year in music so far.
Annual Harry Potter debate
I saw Harry Potter and the Goblet of Fire yesterday and am hard at work on my review.
You can warm up for this year's edition of "Christians for Harry Potter versus Christians against Harry Potter" by reading Russ Breimeier's new article, posted today at CT Movies: "Redeeming Harry Potter."
Have any of you come to appreciate Rowling's stories more as they've progressed? Or has your enthusiasm lessened? Or have you never been hooked by them at all?
Veering off the line
Over at GetReligion, Terry Mattingly's paying attention to see if "Walk the Line" will tell the true story of Cash's redemption. And apparently, they're disappointed.
For years, Cash prowled the stage on amphetamines and wept as he sang “The Old Rugged Cross” — often in the same show. Things got better after he married June Carter in 1968, a meeting of souls made in heaven, but worked out in the flesh under the parental gaze of Ezra and Maybelle Carter. These country-music pioneers not only prayed at Cash’s bedside while he kicked drugs, but hung on through years of front-porch Bible study as he walked the line toward redemption.
Cash was in a spiritual war and he knew it.
...
It seems that the filmmakers did not realize, or elected to overlook, the point at which Cash’s religious conversion began.
Get ready. This week, new reviews by Peter T. Chattaway, Steven D. Greydanus, and many more will arrive to testify as to whether this is a film about a man of faith, or a misguided attempt to paint an insightful portrait a man of fame.