If this is your idea of a satisfying summertime movie, well... knock yourself out. Me? Life's too short, and there are just so many better ways for me to spend my summer.

Despite its tangled web (net?) of bad behavior, Luca Guadagnino's smash hit gets a lot right about the transcendence artists pursue and sometimes reach.

This retro adventure—which sends kids questing for an egg that'll help them bake a pie and save a sleeping beauty—will puzzle many moviegoers and win the hearts of a special few. I'm one of the few.

Julio Torres's leap from television's Los Espookys to the big screen has some remarkable highlights... and some complicated challenges.

Angel Studios' new film celebrates a woman who helped America practice what it preaches about welcoming immigrants and serving the poor. And this time, the studio gets it mostly right.

This wild, weird, violent, genre-dodging thriller from Rose Glass suggests we're seeing a B-movie auteur on the rise.

This Halloween-y rom-com is an '80s cosplay party that should scratch itches for Tim Burton fans and those who thrilled to the audacity of Heathers.

Michael Mann's passion project has finally arrived. Is it a victory lap for the master? Or does it crash and burn?

When I reviewed this film, I predicted that Teyana Taylor would be unjustly overlooked for an Oscar nomination. I was right. But we still have the movie and her outstanding performance.

The prolific director Hirozaku Kore-eda's latest is a complex braid of stories about secrets that seem too scary to reveal.

You'll think about Japanese wartime and post-war history. You'll find a focus on redemption and grace. You'll cheer for great special effects. And if you're luckier than me, it might become your favorite Godzilla movie.

Just as Todd Haynes's new film keeps us guessing about Julianne Moore's deceptive ex-con and Natalie Portman's scheming method actor, it keeps us guessing what kind of movie it really means to be.

No, Nicolas Cage is not "funnier than he's ever been." But he's really funny. And while everyone complains about the lackluster ending, let me praise what it does so well.

Alexander Payne's latest has its highlights, even if it holds us a little too long, and strains a little too hard for a crowd-pleasing conclusion.

A double-feature of Priscilla and Spencer might be a fascinating study. Or it might seem merely redundant.

Scorsese's new epic features some of the strongest and most conscientious work of his career. But the fact I'm opening with words about him here hints at what gives me mixed feelings about the film.

My 10,000-word deep-dive on Kieslowski's masterpiece is published in a new anthology.