Frame 1: Intersection

A journal entry.


0 Comments5 Minutes

The Man Who Killed Don Quixote (2019)

Can Terry Gilliam, after all that he and this troubled production has been through, deliver a satisfying Don Quixote movie based on inspiration that is now more than three decades old?


0 Comments1 Minute

Georgia O’Keeffe and others review The Lion King (2019)

Disney celebrates itself by making a shot-for-shot, photo-realistic remake of an audience favorite. According to the reviewers I admire and tend to trust, this is a product of the circle of lifelessness.


0 Comments8 Minutes

Toy Story 4 and the Gabby Gabby problem

In Part 3 of my review, we wrestle with questions about controversial plot twists. (There will be spoilers!)


0 Comments21 Minutes

Well played, Pixar! Thoughts on Toy Story 4

Part One of a three-part reflection on Toy Story 4, in which I am proven wrong and the movie turns out to be a fantastic, opening up promising new frontiers for these beloved characters.


1 Comment15 Minutes

I Am Not a Witch (2018)

Don't miss this overlooked treasure from 2018: a mystical "fantasy" about a young Zambian girl condemned as a witch.


0 Comments8 Minutes

Booksmart (2019)

Booksmart is certainly energetic and exciting. But do its high-powered hormones overwhelm its generous heart?


0 Comments19 Minutes

Her Smell (2019)

Elisabeth Moss stars as Becky Something, a ferociously self-destructive rock star who challenges us to consider the tenacity of our love.


0 Comments10 Minutes

High Fidelity (2002)

Digging through the archives, I've found an old favorite and I'm taking it for a spin. Here's my original Year 2000 review of High Fidelity.


0 Comments13 Minutes

Ash is Purest White (2019)

Jia Zhangke delivers a wildly ambitious epic of a gangster's girlfriend thrown overboard into Chinese capitalism's unmerciful storms. Go see it. (Caution: Part Two of this essay examines the film's confounding conclusion, so — spoilers!)


0 Comments15 Minutes

Photo by Kylie Wilkerson — 2019.

Love & Revelation: a ‘magic hour’ with Over the Rhine

Linford Detweiler and Karin Bergquist return with songs of ruin, loss, and hard-won hope.


0 Comments20 Minutes

From Bamboozled to BlacKkKlansman: A conversation about Spike Lee Joints

In the latest episode of North by Pacific Northwest, I discusses Spike Lee’s films with cinephile, writer, and frequent Criterion Reflections contributor Josh Hornbeck.


0 Comments1 Minute

Shrek (2001)

Lo and behold—archaeologists digging deep in the Looking Closer archives have unearthed Overstreet's original 2001 review of Shrek.


0 Comments10 Minutes

The Coen Brothers: Winning With Losers

"Coen losers tend to stay losers." — Damian Arlyn on the Coen brothers' characters


0 Comments1 Minutes

Chungking Express (1994)

A brief reflection on Wong Kar-wai's Chungking Express.


0 Comments4 Minutes

24 Frames (2018)

In which Overstreet returns to writing about movies for Good Letters with a celebration of Abbas Kiarostami's final, enigmatic, meditative movie.


2 Comments5 Minutes

Overstreet Archives: The Matrix Trilogy (1999 – 2003)

In the first post of a new treasure hunt in this website's archives, Overstreet digs up his original reviews of The Matrix and its sequels.


0 Comments64 Minutes

The best book-to-movie achievements… and the worst

In which I talk about the art of book-to-movie productions, a lot of great movies, and a few terrible movies, with David Kern and Steven Greydanus. Listen to our lively, in-depth exploration of the art of adaptation!


0 Comments1 Minutes

Three professors profess their love for The Secret of Kells

Listen as Jeffrey Overstreet welcomes Dr. Christine Chaney and Dr. Brian Bantum from Seattle Pacific University to a conversation about the many wonders of the movie The Secret of Kells.


1 Comment2 Minutes

A tale of two podcasts: my visits to Forma and Libromania

In which I find myself as a special guest on two separate podcasts, both of them hosted by David Kern, for conversations about Madeleine L'Engle and the best movies of 2018.


0 Comments2 Minutes

Good with crayons? Enter Auralia’s Coloring Contest.

As the four volumes of The Auralia Thread reach their decennial anniversaries, here's a challenge for imaginations of kids young and old: the first-ever Auralia's Coloring Contest.


0 Comments5 Minutes

Widows (2018)

Widows starts with a bang and then devolves into an overstuffed, over-serious, and even predictable thriller.


0 Comments13 Minutes

Madeline’s Madeline (2018)

Josephine Decker's wildly imaginative new film is worth seeing for its experimental ambitions, even if, in the end, it's all a bit too much.


0 Comments12 Minutes

First Man (2018)

Putting Ryan Gosling's feet on the moon, Damien Chazelle has found firmer footing than he did in the eager-to-impress La La Land. This film is modest by comparison, but I find it haunting and enigmatic.


0 Comments12 Minutes

The Hate U Give (2018)

Preachy, but elevated by an excellent lead performance, The Hate U Give is the kind of after-school special that all of America needs right now.


0 Comments10 Minutes

A Star is Born (2018)

Bradley Cooper's big remake of A Star is Born strums all those predictable chords so hard, all the strings start breaking.


1 Comment9 Minutes

Join me for two special screenings of Prospect in Seattle

At two special Seattle screenings of the sci-fi thriller Prospect, I will interview filmmakers Zeek Earl and Christopher Caldwell. You're invited!


0 Comments1 Minutes

Looking Closer with Jeffrey Overstreet

(now the ears of my ears awake andnow the eyes of my eyes are opened)

– e. e. cummings, “i thank You God for most this amazing”