The Tragedy of Macbeth (2022)

Did social distancing influence this Joel Coen production of the Scottish play? It has some great actors in it, but their performances seem strangely separate. And the film's striking images seem more like a gallery of evocative stills than immersive cinema.


1 Comment14 Minutes

Weekender: 2022 film calendar; Luci Shaw’s latest poems; C’mon C’mon; Azor; Licorice Pizza

This week: An astounding 2022 preview. The upcoming poetry of Luci Shaw. And some initial thoughts on C'mon C'mon, Azor and Licorice Pizza.


0 Comments24 Minutes

The Weekender: Christmas Edition 2021

This week: Malick's rollercoaster ride through the eons of history. Mia Hansen-Løve's film Bergman Island. All hail U2's The Edge!


1 Comment24 Minutes

Twenty years ago this weekend, a fellowship formed in Rivendell…

Twenty years ago this weekend, I joined a fellowship at the local cineplex to witness an event that would change the art of movies — for better and for worse — for decades to come.


0 Comments14 Minutes

The Weekender – Third Weekend of December 2021

Merry Christmas early! The Weekender will be a Surprise Box, an unpredictable newsletter, a bulletin board of things I'd like to share that I would have expanded into full, individual posts if life had afforded me the time.


0 Comments10 Minutes

Devi (1960)

During November's Barnes and Noble Criterion sale, I took a chance on a film I've never seen before. I am so glad that I did. It's one of the great films about the possibilities and the dangers of religious faith.


0 Comments5 Minutes

Passing (2021)

In a season of sprawling epics and extravagant spectacle, Rebecca Hall's directorial debut is one of the year's finest exceptions: a quiet, focused film that knows exactly what it wants to be and efficiently achieves it.


0 Comments18 Minutes

The French Dispatch (2021) (Part One)

Wes Anderson's devoting every resource at his disposal to realizing grander visions. The results are more like museums than paintings, more like restaurants than mere meals.


1 Comment14 Minutes

Mass gives us a close-up of one of the hardest conversations ever imagined

I'm hard-pressed to think of a more difficult conversation I've seen at the movies. Some will discover it, look up the 2021 Oscars, and wonder: Why was this overlooked?


0 Comments14 Minutes

Titane (2021)

This year's top prize at the Cannes film festival is an audacious, lurid circus that leaves me not only disappointed but actually regretting the experience.


3 Comments17 Minutes

Sunday Song: Von Bieker and Knathan Ryan sing their quarantine longings

Knathan Ryan and Dave Von Bieker are two friends whose music pops up in heavy rotation during my morning commutes. Their hopeful spirits inspire me; their artistry is personal, bright, and energetic; and their new songs hit just right in a time of quarantine fatigue.


0 Comments7 Minutes

No Sudden Move (2021)

Soderbergh is back doing what he does best — scattering criminals like billiard balls, and then knocking down one strong scene after another. He may not play a perfect game here, but this is one of his best in many years.


1 Comment11 Minutes

If you had to pick five movies that were “formational,” what would they be?

If you were asked to name five films that have been influential in shaping your faith in some way, what five films would you choose? I found this question extremely challenging. I am thrilled to share this video of my conversation with film scholar Catherine Barsotti, Renovaré president Chris Hall, and show host Carolyn Arends. Enjoy!


2 Comments1 Minutes

Leo Carax’s Annette sparks a conversation with “Catholic Cinephile” Evan Cogswell

In the latest episode of the Looking Closer podcast, “Catholic Cinephile” Evan Cogswell makes an argument that Annette is a great musical and, in fact, his favorite film of the year so far.


0 Comments1 Minute

Quo vadis, Aida? (2021)

How does it make any sense to give our attention to the dramatization of a society's violent overthrow while we we are watching it happen in the real world, right now, either elsewhere in the world or here, either swiftly or in slow motion? Nevertheless, this might be the best time for us to watch Quo vadis, Aida? and open our imaginations to its characters.


1 Comment13 Minutes

The Inner Language of Wolfwalkers – a guest post by Micah Rickard

Special guest reviewer Micah Rickard offers some reflections on a very tricky matter that Cartoon Saloon's Wolfwalkers handles particularly well.


0 Comments10 Minutes

Paterson (2021)

One of the most important discoveries of this year's Glen Workshop was this: Not enough people have seen Jim Jarmusch's Paterson. Here's my original review.


0 Comments13 Minutes

Animator and author Ken Priebe talks about his three fantastic children’s books in the latest Looking Closer podcast episode

In this "Master Shot" episode of the Looking Closer podcast, Overstreet interviews animator, illustrator, and children's storybook author Ken Priebe about his three wild and whimsical books of wild, wacky, and scary characters.


0 Comments2 Minutes

Whale Writer: Peter Wayne Moe on his passion for whales, writing, and teaching

If you are on the hunt for great books about writing, great books about teaching, great books about faith, or great books about whales — yes, whales — have I got a recommendation for you!


0 Comments1 Minutes

So Much Love: a conversation with Lowland Hum about their reinvention of a Peter Gabriel album

In which I talk with Daniel and Lauren Goans of the band Lowland Hum about how and why they made the most of their pandemic lockdown by re-recording a classic Peter Gabriel album.


0 Comments4 Minutes

Sunday Song: Listening Closer to Rhiannon Giddens and Nick Cave

Here are two of my favorite 2021 songs so far, one from Rhiannon Giddens, the other from Nick Cave.


0 Comments5 Minutes

A Quiet Place Part II (2021)

Krasinski's follow-up to his smash-hit sci-fi thriller works like a charm — mostly because it's made up of familiar sequences that worked like a charm in better movies.


0 Comments12 Minutes

Wrath of Man (2021)

Guy Ritchie's latest is a standout surprise in his filmography: It doesn't make violence seem fun. Perhaps I'm damning it with faint praise, but these days it seems like a refreshing change of pace to suggest that men with guns end up miserable even if they hit their marks.


1 Comment12 Minutes

Sunday Song: Listening Closer to Jon Batiste and Allison Russell

A new feature at Looking Closer — "Sunday Song" — will feature one or two recent releases that are in frequent rotation during my weekday commute jam session. Here are two of my favorite 2021 songs so far, from Jon Batiste and Allison Russell.


1 Comment5 Minutes

Overstreet Archives: The Clearing (2004)

Here's one from the dusty basement that might not be more than a reminder that even the greatest actors sometimes sign on to forgettable projects.


0 Comments7 Minutes

Persuade Me: Should I see A Quiet Place Part II… or not?

I'm not making a priority of seeing A Quiet Place Part II. You're invited to try to change my mind.


1 Comment6 Minutes

Overstreet Archives: The Station Agent (2016)

Posted at Looking Closer for the first time, here is Overstreet's 2016 reflection on Tom McCarthy's The Station Agent.


3 Comments10 Minutes

Overlooked by Overstreet: Get Shorty (1995)

This week, I found myself enjoying — to some extent — an unexpected reunion with a mid-'90s hit that I never got around to reviewing. So here's a look back at a film that is now more than a quarter-of-a-century old.


0 Comments8 Minutes

The Truffle Hunters (2021)

This documentary glimpse of a disappearing world — where fortune hunters and their dogs explore and dig for pungent, savory gold — is worth a look, but it also feels like a missed opportunity for poetry and transcendence.


0 Comments9 Minutes

Looking Closer with Jeffrey Overstreet

(now the ears of my ears awake andnow the eyes of my eyes are opened)

– e. e. cummings, “i thank You God for most this amazing”