It’s been more than a decade since we dove deep into Pixar’s undersea wonderland. And I gotta tell you, from the moment this trailer begins, I find myself longing to go back there. I don’t know that any big-screen world has had such an effect on me aesthetically. Emerging from the theater after Finding Nemo was like waking up from a dream. It wasn’t the narrative that did that for me, although I did admire Andrew Stanton’s storytelling very much — no, it was the imagery, the colors, the light and shadow. In most situations, I would be deeply worried about this project. But this is the studio that made Toy Story 2 and 3, both of which I liked better than the first film. I’m hopeful. I just can’t wait to go back there.
So? I’ll be there on opening day, in front of the biggest screen I can find.
BIG MUSIC. MUCH YELLING. SIMPLISTIC DIALOGUE. MUCH DESTRUCTION. HULK WHALE SMASH! SOUNDTRACK SMASH EVEN HARDER!
So? The participation of Brendan Gleeson is the only thing I see here that kindles my curiosity. But I would rather listen to his voice talk about whaling for two hours than watch a CGI extravaganza. No thanks. I would be more satisfied spending my time re-reading Moby Dick. I might actually learn something through the exercise of my own imagination rather than allow myself to be pummeled by the bombast of someone else’s.
I loved Finding Nemo upon release and then, as Pixar got better and better, I kind of pushed it into the back tier as one of their funnier and more visually breathtaking movies, but without the depth of a WALL-E or Up. When my son was about 2, he started watching it on a loop — it might be the first movie he loved, due to the colors. Watching it again as a father, I was moved to tears (I had a similar experience watching The Incredibles with my son this week). It’s one of the great, deep Pixar movies. I don’t like the idea of them revisiting the well over and again, but I’m happy to spend time with these characters once more.
As for Heart of the Sea, nothing in it looks too engrossing to me. But I also was tempted to dismiss Ron Howard’s last film, Rush, and when I saw it I thought it was one of his best-made films. So I’ll give it a fair shake.