J. Robert Parks: “I’m not arguing The Lookout is some kind of masterpiece. The bank robbery is fairly paint-by-numbers, and the blind character is one we’ve seen many times before, despite [Jeff] Daniels’s charisma. But this is the sort of movie Hollywood should be making–and getting behind. Movies that don’t insult your intelligence or make you feel dirty for watching. But because The Lookout has a small marketing budget, this is a movie where it’s up to the critics to let you know what you shouldn’t miss.”
Adam Walter blogs about it, saying it’s “a tense, engaging film with this endearing twist: it is very much a character piece first, and a thriller second. The film is also admirable for its unusual restraint. Though the storyline provides opportunity for violent and sexual excess, Frank knows that a little spice goes a long way. Rather than capitalizing on these elements, he shows the maturity of his cinematic vision in opting to focus on little character momements, on the interpersonal economy of ethics, the moral snowballing that makes and remakes a person.”
Jules Franco of CNS says “The Lookout shows us the sordid reality of criminal behavior. And it offers a redemptive message of how, paradoxically, letting go of the past and forgiving yourself can lead to the rediscovery of your true self.” He says Gordon-Levitt is “particularly riveting in a difficult role.” And notes that the film’s violence and sexual elements are portrayed “with relative restraint.”
And GreenCine Daily has more, more, more, more, and more.
“But here’s hoping that some of the films from LAFF, and Cannes, and the upcoming Toronto fest, become accessible to the rest of us.”
I hate to sound like a broken record, Jeffrey, but as you know Seattle is home to the largest film festival in the States. In just the Contemporary World Cinema program alone, SIFF showed 30 or 40 fantastic films, including most of the best films I saw in Toronto and San Francisco last year. In fact, several of the films that Doug wrote about in those posts you’ve linked to screened in your home town just a few weeks ago.
I’m totally sympathetic to your situation — I also have to balance a relationship, full-time job, and other interests (so does Doug) — but it seems to me that you’re missing these films because you’re choosing to not see them (as you mention in this post). Accessibility isn’t the issue at all — not for you, at least. Try being a cinephile in East Tennessee. 😉
Clearly, I wasn’t entirely clear in my post. I’ve revised it a bit to try and clarify what was, I admit, a rather self-centered cry of “Woe is Me.”
You’re right, of course: The SIFF is a growing, rewarding festival. For those who can actually take the time to see particular films during their fleeting appearances at the festival, it’s probably fantastic. I never meant to suggest that the SIFF opportunities don’t exist.
But alas… the existence of SIFF doesn’t change my predicament –the festival could be happening in the house next door, and I still wouldn’t be free to plan my schedule around it, or line up the movies I want to see and check them off one by one. My current schedule has me leaving the house at 6AM, getting home for dinner at 7PM, and then writing until midnight in order to meet deadlines. I have to stick to movies that are available and accessible when I can actually carve out the time to see them. Some folks get off work and are free to go to see what they like. Me, I go to a second job, and if I do see a movie it’s probably because I’ve been assigned to review one by an editor.
Heck, last weekend my high school class had a reunion just a couple of hours’ drive from my house. I could have seen dear friends that I’ve missed for almost two decades. But I stayed home to make progress on a book deadline. And to see my wife, because I hadn’t seen much of her during the week. It was the right choice. But that doesn’t mean I’m not jealous of those who got to be there.
Anyway, all of this excessive self-explanation amounts to this: I’m glad folks like you are blogging about movies. It helps me know what to seize when time, opportunity, and resources all align and I suddenly have a chance to see something.
In heaven, Netflix will be even better, and I’ll catch up with hundreds and hundreds of great flicks that I’ve missed. 😉
“In heaven, Netflix will be even better, and I’ll catch up with hundreds and hundreds of great flicks that I’ve missed.”
Amen.
So sad that the work of so many great artists will only be seen on the screens of film festivals one or two times. I dream of being an avid festival goer someday…