Two new essays in one week: The Enlightened Replicant and the Liberated Marionette

New writing is heating up my laptop these days. I have two new essays — my first ever contribution to my favorite film-essay website, Bright Wall Dark Room, and the second in my new series on faith and fantasy at The Rabbit Room, a reflection on Disney's 1940 feature Pinocchio.


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Where Did My Community Go? Marcel the Shell Offers Insight at The Rabbit Room

After posting my initial review of Marcel the Shell With Shoes One here at Looking Closer, I've contributed a second consideration of the film (after seeing the film twice more) to the wonderful website hosted by my friends at The Rabbit Room.


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The Duke (2022)

Roger Michell's final film* is an endearing epilogue to an impressive career, but even the headliners Jim Broadbent and Helen Mirren can't make this one memorable.


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Mrs. Harris Goes to Paris (2022)

The great Leslie Manville proves that she can make even a cloying crowdpleaser like this worth watching. You might find this "power of positive thinking" fairy tale a blessed relief it is from the punishing darkness and violence of almost everything else this summer. (Or, if you're like me, you might find it too sticky sweet for its own good.)


0 Comments14 Minutes

Shadow in the Cloud (2021)

This isn't a one-woman show, but it's close: Chloë Grace Moretz gives this cartoonish action film a far stronger central performance than it needs, and that turns an otherwise forgettable action thriller into surprisingly compelling experience.


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Hit the Road (2022)

The son of the great Jafar Panahi has become a promising filmmaker himself. Panah Panahi's first movie takes backroads that lead to laughs, surprises, and troubling revelations.


3 Comments12 Minutes

Everything Everywhere All at Once (2022)

A conversation between moviegoers Cravis Frankly and Jeffrey Overstreet about the most complicated and most exciting multi-verse movie of the year.


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Marcel the Shell With Shoes On (2022)

Marcel is the kind of film that I suspect Jim Henson would have loved: It's childlike, playful, hopeful and wise — and all of this without ever stooping to sentimentality. Its characters seem to have been brought to life with patience, attention, and love. Just as I have learned more from Kermit the Frog about living a meaningful life than I have from most movie characters, I'm adopting Marcel as a mentor during dark times.


0 Comments21 Minutes

Emergency (2022)

Can this friendship survive the worst night ever? Kunle and Sean — and, to a degree, the cannabis-clouded Carlos — are spiraling down into crisis as they try to save a stranger in this funny but sobering "calamity comedy."


0 Comments13 Minutes

Crimes of the Future (2022)

In Cronenberg's latest sci-fi nightmare, human bodies are evolving and surgeons are bringing brand new organs out into the spotlight... in public, as performance art. It's unsettling. It's meaningful. And it's hilarious.


0 Comments19 Minutes

Maverick (2022) (Part Two)

As an action movie, Top Gun: Maverick is compelling entertainment. As art, it exists more as a celebration of Tom Cruise, exalting a version of reckless masculinity and whiteness that I might have hoped we'd left behind.


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Maverick (2022) (Part One)

Before diving fast and furious into a review of Top Gun: Maverick, I should probably provide some personal history about me and Maverick.


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Weekender: New Twitter. Doctor Strange’s Multiverse. Faith in musicals. SDG on The Northman.

Looking Closer has a new Twitter account! Also: Here are my first impressions of Doctor Strange in the Multiverse of Madness, a link to the latest Arts & Faith movie list, and one of the reviews of The Northman I've been most looking forward to.


1 Comment7 Minutes

Arcade Fire’s big noise is back, and so are the sermons

Arcade Fire's seven-track tapestry of anxiety, alienation, and disillusionment sounds epic, but it can be a bit disillusioning itself in its obvious sermonizing.


0 Comments13 Minutes

Petite Maman (2022)

Like Jacques Doillon's Ponette and John Sayles's The Secret of Roan Inish, Céline Sciamma's new film is about very young children living with loss and grief. And, like those films, it casts an unforgettable spell. Don't miss it!


1 Comment8 Minutes

The Northman (2022)

With full respect for arguments to the contrary, I'm of a mind to say that Robert Eggers's The Northman, while very clearly in the category of "Not My Kind of Movie," is a complex and meaningful film that deserves heavy cautions, the raising of certain concerns, and considerable praise. Viewer discretion is very forcefully advised.


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Weekender: Allison Russell, Philip Yancey, and Enchanted Journey II: Ex-vangelical Boogaloo

In this edition of The Weekender, a miscellany of podcast highlights, insights on faith and race, a prayer worth memorizing, and a memorable TED Talk.


0 Comments11 Minutes

Memoria (2022)

The greatest films are becoming the most difficult to see in a theater. Memoria — the third transcendent cinematic experience I've enjoyed in 2022 — is, like the others, one that moviegoers will have to seek out on their own, and they're unlikely to ever see it on a big screen.


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Jon Batiste’s “We Are” — a Looking Closer Top 20 of 2021 favorite — wins Album of the Year.

One of my favorite records of 2021 won the Album of the Year award: Jon Batiste's We Are.


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Favorite Recordings of 2021: Part Three (#15–#1)

You are arriving at the summit of my 2021 Music Mountain. These are my fifteen favorite albums of 2021


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Weekender: Fourth Weekend in January — Dark on Power of the Dog; Wilford on Licorice Pizza

After a few "Weekenders" away, here are a few highlights from the last few weeks.


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Favorite Recordings of 2021: Part One (Honorable Mentions and #36–#26)

It has finally begun! On January 20, Looking Closer's look back at favorite recordings of 2021 has begun! Keep watch for Part Two and Part Three, coming soon.


2 Comments28 Minutes

Newsic: New song from Tom Skinner, Thom Yorke, and Johnny Greenwood

This isn't an easy song to sing along with. It shouldn't be. But it represents a meaningful anger, a broken heart, a soulful lament, a rage expressed in love for those who have been wronged.


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The Tragedy of Macbeth (2022)

Did social distancing influence this Joel Coen production of the Scottish play? It has some great actors in it, but their performances seem strangely separate. And the film's striking images seem more like a gallery of evocative stills than immersive cinema.


1 Comment14 Minutes

Weekender: 2022 film calendar; Luci Shaw’s latest poems; C’mon C’mon; Azor; Licorice Pizza

This week: An astounding 2022 preview. The upcoming poetry of Luci Shaw. And some initial thoughts on C'mon C'mon, Azor and Licorice Pizza.


0 Comments24 Minutes

The Weekender: Christmas Edition 2021

This week: Malick's rollercoaster ride through the eons of history. Mia Hansen-Løve's film Bergman Island. All hail U2's The Edge!


1 Comment24 Minutes

Twenty years ago this weekend, a fellowship formed in Rivendell…

Twenty years ago this weekend, I joined a fellowship at the local cineplex to witness an event that would change the art of movies — for better and for worse — for decades to come.


0 Comments14 Minutes

The Weekender – Third Weekend of December 2021

Merry Christmas early! The Weekender will be a Surprise Box, an unpredictable newsletter, a bulletin board of things I'd like to share that I would have expanded into full, individual posts if life had afforded me the time.


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Devi (1960)

During November's Barnes and Noble Criterion sale, I took a chance on a film I've never seen before. I am so glad that I did. It's one of the great films about the possibilities and the dangers of religious faith.


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Passing (2021)

In a season of sprawling epics and extravagant spectacle, Rebecca Hall's directorial debut is one of the year's finest exceptions: a quiet, focused film that knows exactly what it wants to be and efficiently achieves it.


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The French Dispatch (2021) (Part One)

Wes Anderson's devoting every resource at his disposal to realizing grander visions. The results are more like museums than paintings, more like restaurants than mere meals.


1 Comment14 Minutes

Looking Closer with Jeffrey Overstreet

(now the ears of my ears awake andnow the eyes of my eyes are opened)

– e. e. cummings, “i thank You God for most this amazing”