Set in a world rich with echoes of Flannery O'Connor and Cormac McCarthy, The Quarry's story of a fake preacher and a violent sheriff raises hard questions about the possibility of redemption in a world as ruined as this one.

Palm Springs plays with a familiar formula, and its innovations are diminished by its crassness and the flimsiness of its "insights."

Spike Lee's latest multi-tasking movie is a ferocious work of passion and Gospel that succeeds in spite of its stumbles and dissonant styles.

The second big paranormal-thriller surprise of the summer (after The Vast of Night), Extra Ordinary is the funniest thing I've seen all year.

When those that qualify as the 2% won't rest until they've stolen their way into the 1% — The Bling Ring is a thoughtful and prophetic portrait of a generation obsessed with becoming media gods, exploiting social justice slogans in service of their own social-media avatars.

Like 2019's Prospect, Amazon's new sci-fi thriller The Vast of Night makes magic with modest resources and gives us the two most memorable investigators of the paranormal since Mulder and Scully first argued.

Shirley, driven by great performances from Elizabeth Moss and Michael Stuhlbarg, is dark, strange, and unnervingly wise.

I recently caught up with director Mike Mills's film 20th Century Women and wished I'd seen it earlier to include it in my 2016 Favorites list.

Looking for an escape from sheltering-at-home familiarity, I turned to America's most reliable animation studio. But Pixar's Onward remains stuck in uninspired tropes.

In which I begin posting thoughts on the movies I'm watching during the 2020 season of COVID-19 lockdown. First up? A beloved French New Wave masterpiece by Agnes Varda.

The people of House Abascar have been betrayed by false promises and robbed of colors, robbed of hope. But there are rumors of a girl in the woods who gathers colors that no one else has ever seen. And now, you can hear those colors. During these stay-at-home days, you're invited to a reading of Auralia's Colors.

Celebrate with people from 40 countries, in 25 language, as we announce the Good News to the world.

Before you see Niki Caro's reinvention of Mulan, discover her 2003 film about another young female hero who subverts the expectations of her people and overturns restrictive patriarchal traditions.

My enthusiasm for Agnes Varda's documentaries has prompted many to recommend her narrative features. This week, I caught up with Vagabond.

Joe Cornish's latest is something less than a chip off the ol' Attack the Block.

Dazzling and hyperviolent, Let the Corpses Tan is one of the most creative thrillers I've seen in years. But take a note of heavy caution: It's also upsettingly graphic.

In which I catch up with a 1983 masterpiece — a father-daughter dance for the ages.

Brandon Vedder's portrait of David Bazan follows the rock star through harrowing experiences of fear, doubt, betrayal, and self-discovery.