Here's my conversation with composer and musician Eric Gorfain, whom you have probably heard many times on albums you love. But wait until you hear his new solo work!

A blast from the past: Here's my original review of Jean-Pierre Jeunet's World War One epic.

Set in a world rich with echoes of Flannery O'Connor and Cormac McCarthy, The Quarry's story of a fake preacher and a violent sheriff raises hard questions about the possibility of redemption in a world as ruined as this one.

Palm Springs plays with a familiar formula, and its innovations are diminished by its crassness and the flimsiness of its "insights."

Spike Lee's latest multi-tasking movie is a ferocious work of passion and Gospel that succeeds in spite of its stumbles and dissonant styles.

The second big paranormal-thriller surprise of the summer (after The Vast of Night), Extra Ordinary is the funniest thing I've seen all year.

When those that qualify as the 2% won't rest until they've stolen their way into the 1% — The Bling Ring is a thoughtful and prophetic portrait of a generation obsessed with becoming media gods, exploiting social justice slogans in service of their own social-media avatars.

Like 2019's Prospect, Amazon's new sci-fi thriller The Vast of Night makes magic with modest resources and gives us the two most memorable investigators of the paranormal since Mulder and Scully first argued.

Shirley, driven by great performances from Elizabeth Moss and Michael Stuhlbarg, is dark, strange, and unnervingly wise.

I recently caught up with director Mike Mills's film 20th Century Women and wished I'd seen it earlier to include it in my 2016 Favorites list.

Looking for an escape from sheltering-at-home familiarity, I turned to America's most reliable animation studio. But Pixar's Onward remains stuck in uninspired tropes.