Hit the Road (2022)

The son of the great Jafar Panahi has become a promising filmmaker himself. Panah Panahi's first movie takes backroads that lead to laughs, surprises, and troubling revelations.


3 Comments12 Minutes

Everything Everywhere All at Once (2022)

A conversation between moviegoers Cravis Frankly and Jeffrey Overstreet about the most complicated and most exciting multi-verse movie of the year.


0 Comments22 Minutes

Marcel the Shell With Shoes On (2022)

Marcel is the kind of film that I suspect Jim Henson would have loved: It's childlike, playful, hopeful and wise — and all of this without ever stooping to sentimentality. Its characters seem to have been brought to life with patience, attention, and love. Just as I have learned more from Kermit the Frog about living a meaningful life than I have from most movie characters, I'm adopting Marcel as a mentor during dark times.


0 Comments21 Minutes

Emergency (2022)

Can this friendship survive the worst night ever? Kunle and Sean — and, to a degree, the cannabis-clouded Carlos — are spiraling down into crisis as they try to save a stranger in this funny but sobering "calamity comedy."


0 Comments13 Minutes

Crimes of the Future (2022)

In Cronenberg's latest sci-fi nightmare, human bodies are evolving and surgeons are bringing brand new organs out into the spotlight... in public, as performance art. It's unsettling. It's meaningful. And it's hilarious.


0 Comments19 Minutes

Maverick (2022) (Part Two)

As an action movie, Top Gun: Maverick is compelling entertainment. As art, it exists more as a celebration of Tom Cruise, exalting a version of reckless masculinity and whiteness that I might have hoped we'd left behind.


1 Comment21 Minutes

Maverick (2022) (Part One)

Before diving fast and furious into a review of Top Gun: Maverick, I should probably provide some personal history about me and Maverick.


0 Comments15 Minutes

Petite Maman (2022)

Like Jacques Doillon's Ponette and John Sayles's The Secret of Roan Inish, Céline Sciamma's new film is about very young children living with loss and grief. And, like those films, it casts an unforgettable spell. Don't miss it!


1 Comment8 Minutes

The Northman (2022)

With full respect for arguments to the contrary, I'm of a mind to say that Robert Eggers's The Northman, while very clearly in the category of "Not My Kind of Movie," is a complex and meaningful film that deserves heavy cautions, the raising of certain concerns, and considerable praise. Viewer discretion is very forcefully advised.


0 Comments25 Minutes

Memoria (2022)

The greatest films are becoming the most difficult to see in a theater. Memoria — the third transcendent cinematic experience I've enjoyed in 2022 — is, like the others, one that moviegoers will have to seek out on their own, and they're unlikely to ever see it on a big screen.


0 Comments15 Minutes