On Movies & Media

Michael Mann's passion project has finally arrived. Is it a victory lap for the master? Or does it crash and burn?

When I reviewed this film, I predicted that Teyana Taylor would be unjustly overlooked for an Oscar nomination. I was right. But we still have the movie and her outstanding performance.

The prolific director Hirozaku Kore-eda's latest is a complex braid of stories about secrets that seem too scary to reveal.

You'll think about Japanese wartime and post-war history. You'll find a focus on redemption and grace. You'll cheer for great special effects. And if you're luckier than me, it might become your favorite Godzilla movie.

Just as Todd Haynes's new film keeps us guessing about Julianne Moore's deceptive ex-con and Natalie Portman's scheming method actor, it keeps us guessing what kind of movie it really means to be.

No, Nicolas Cage is not "funnier than he's ever been." But he's really funny. And while everyone complains about the lackluster ending, let me praise what it does so well.

Alexander Payne's latest has its highlights, even if it holds us a little too long, and strains a little too hard for a crowd-pleasing conclusion.

A double-feature of Priscilla and Spencer might be a fascinating study. Or it might seem merely redundant.

Scorsese's new epic features some of the strongest and most conscientious work of his career. But the fact I'm opening with words about him here hints at what gives me mixed feelings about the film.

My 10,000-word deep-dive on Kieslowski's masterpiece is published in a new anthology.