A Few Predictions About "The Nativity Story"
I haven't seen anything but the trailer for Catherine Hardwicke's The Nativity Story yet. And I really don't have any particular expectations about the film itself.
When I saw Hardwicke's Thirteen, which starred Holly Hunter and Evan Rachel Wood, I was quite impressed with the performances of her cast. Whether that was just the cast being brilliant, or whether it had something to do with Hardwicke's direction, well, that will probably become more clear as we see more of Hardwicke's films.
The script? I'll be very curious. I was a big fan of The Rookie, and the screenplay for that was written by Mike Rich. But since then, the only other Mike Rich screenplay I've encountered is Radio... and I would have walked out if I hadn't been assigned to sit all the way through it and review it. It was sentimental to the point of lunacy. Should we really go telling stories that insist "the community" is all a mentally disabled person needs, and that professional help is a tool of the devil? Should we really be cheering for the local football coach who is tough enough to get between a damaged young man and those scary, scary counselors whose hard-earned degrees might equip them to offer help?
Anyway, I'm hoping for a better script this time, and for another tough, challenging, complex work from Hardwicke.
Alas, I fear that the film, even if it's a masterpiece, won't get much of a thoughtful examination by many Christian moviegoers, because the rule seems to be: "If it has 'Christian content,' then the movie is automatically excellent." I hope I'm wrong. I do know that there are many places in which Christians regularly discuss art with a lot of attention to excellence, and they're not afraid to admit when a Christian's work could have used a few more script revisions. But they tend to get outshouted by other religious-media personalities, voices that say things in such forceful and outrageous ways that the mainstream press just eats it up.
I hope we see a change in the nature of Christian dialogue about this film.
The film will almost undoubtedly be a big box office hit when it opens. And that's cool: Christmas is coming, and the story itself is always worth revisiting. Christians will turn out in droves to see the story that is central to their faith.
But let's keep this in mind: Its opening weekend success will have nothing to do with whether or not the film itself is well-crafted... just as the success of Jackass 2 says nothing about whether or not it's a good movie. All the first wave of money proves is this: It's something people want to see. And, as McDonalds and Kentucky Fried Chicken prove to us on a daily basis, people often want things that are poorly prepared and lacking in nourishment
So, what can we expect beyond opening-weekend success?Read more
Ralph Winter: Producer of Blockbuster movies. "Gladiator" fan. Comic-book movie expert. Christian.
"Hollywood."
In the media... especially in the Christian media... the word "Hollywood" gets thrown around a lot.
"Hollywood is anti-Christian. It is always producing projects that lampoon, criticize, and ridicule Christians."
"We need to clean up Hollywood."
"Christians should not have anything to do with what comes out of Hollywood."
Meanwhile, in the middle of Hollywood, you'll find Christians are working hard to create good films, to deliver excellent performances, to write superlative scripts. And they're not necessarily stuffing the gospel message into their stories. They're just trying to do what they do with excellence.
One of those guys is Ralph Winter.
Last year, on assignment for Christianity Today, I interviewed Mr. Winter about his work, which has included playing a part in films like Star Trek VI: The Undiscovered Country, X-Men and X-Men 2: X-Men United, and Fantastic Four.
Ralph is working on a wide variety of projects within Hollywood, some of them deliberately crafted to provide a "Christian message," some of them crafted to be merely entertaining. Whether or not you're a fan of his films. I suspect that you'll find his perspective challenging.
I'm learning a lot from folks like Ralph, and I share some of those lessons that I've learned in Through a Screen Darkly. I'm learning not to use the word "Hollywood" lightly, or to say it with a sneer. There are good people working in Hollywood. There is good work coming from Hollywood. There is even rich, meaningful, beautiful work coming from people who don't know the source of their talent, or the profundity of their stories.
So take a deep breath before you use the word "Hollywood." Remember... Ralph Winter is included in that population. It's a community, not an entity single-mindedly working to crush the church.
Director Scott Derrickson is a Hollywood player as well. He's the director of the #1 box office hit The Exorcism of Emily Rose, a thoughtful filmmaker and a Christian. Derrickson shares his perspective on one of his favorite films, one of his favorite filmmakers, and some thoughts on the potential of horror movies to reveal the glory of God, in Through a Screen Darkly.
What is a "Christian Movie"?
"Christian."
What is it?
Is it an adjective?
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Is "a Christian" someone who prayed a prayer asking Jesus into their heart? What if that person forgets about that prayer, and strays?
Is it someone who continues in a dedicated fashion to pursue and develop a relationship with Christ?
The word began as a label that others put upon the disciples of Christ, a teasing sort of label: "Little Christs." And the name stuck. It was, whether intended that way or not, rather spectacular flattery.
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But let's stop talking about the people for a moment. Does the word "Christian" extend beyond people to apply to their works?
Can a movie become "Christian" by the insertion of a particular element?
What if a non-Christian makes that movie, and includes that "Christian" element? Is the movie a "Christian" movie, or is it disqualified because he is an unbeliever?
Is a "Christian movie" somehow more appropriate for Christians to watch than a "non-Christian movie"?
What makes a movie "Christian"?
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Or should we perhaps avoid using that term as an adjective?
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Is Charles Dickens' A Christmas Carol a "Christian" story? It's full of ghosts and curses, so....
Is it a non-Christian story? It teaches a moral lesson, and it "keeps the Christ in Christmas," so....
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Many Christians are praising the movie Facing the Giants because of its "Christian elements." Does that make it a better movie... the fact that the characters openly testify to faith in Christ?
Is it a Christian movie because the Christian characters who demonstrate faith in Christ end up winning games?
At the Internet Movie Database today, a reporter writes:
Facing the Giants is the third uplifting football movie released this month, although this one may be more faith-based than the others. And therein lies a problem: how can the outcome of the movie be otherwise than imagined since God figures so intrinsically in the plot? Jeff Strickler, writing for the McClatchy newspaper chain puts it this way: "The religious proselytizing in this football movie is about as subtle as a blind-side hit by a 300-pound defensive tackle."
Could the team lose, and it still be a "faith-based" movie? Would it somehow be a strike against the Christian team if they lost the game?
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What about The Nativity Story, the upcoming film from a secular movie studio, written by a Christian, starring non-Christians, that tells the story of Christ's birth. Is that a "Christian" movie?
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What about the home movie I made the other night with my digital camera, in which I let the camera gaze long and hard at the glory of the setting sun. What would make that a "Christian movie"?
Must I recite a verse aloud, so you can hear that while you watch what God is doing?
Is it a "Christian movie" because I, believing in Christ, filmed it?
Or would it be "Christian" if Joe Pagan walked down to the beach and filmed the same thing in the same way?
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What is this adjective... "Christian"... that we put before things like movies and music?
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Amy Grant sang a lot of songs to God. Then she sang a song of love to her husband, and many Christians complained that she had stopped singing "Christian music."
It is not "Christian" to sing a song of love to one's spouse, the way that Solomon sang love songs to his sexy lovers?
What if a non-Christian sings a song of devotion and love to their spouse? Is that "Christian"?
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Perhaps "Christian" isn't a very good adjective.
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Perhaps we shouldn't worry about dividing art into "Christian" and "secular." Perhaps we should investigate whether God can speak through all kinds of art, and whether all kinds of artists are capable of really tacky art even if they believed in Christ all along the way.
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My wife Anne once spoke at a poetry conference. A woman came to her with a stack of poems and asked Anne to tell her who would publish them. Anne asked if she could read them. The woman said, "Yes. God gave them to me. I prayed and prayed, and he gave me these poems. They need to be published." Anne read them. They were poorly written. They were, basically, prayers on paper. They were not really poetry. They did not invite us to investigate what they meant, or give us anything to wrestle with. They did not show much deliberation over particular words. But they did, in fact, make it very clear that the writer believed in God. They also showed that the writer had invested a lot of her own money in binding these poems together with a handsome, exquisitely decorated cover.
Was that Christian poetry?
Should it, indeed, be published... because the woman had so much faith and had volunteered so much of her own money to bring its message to others?
Or should she be told, "I'm sorry. I know you care about this. But this isn't really poetry. Or, if it is, any accomplished poet will tell you that it is mediocre poetry, or worse. You need to take some classes. You need to learn the art of metaphor, meter, and concentrating your language. If you want to glorify God, you need to do more than give it a positive message. You need to make it a beautiful work of language. You need to make it excellent." ?
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Once, when my friend Martin and I were talking with T-Bone Burnett, we were talking about the difference between "sacred" art and "secular" art, between Christian muic and non-Christian music. When asked what advice he would give to Christian musicians, trying to live Christian lives, and navigate their way through the Christian and the mainstream music industries, he suddenly asked us why we needed to worry so much about the word "Christian."
"Why can't we just be people?" he asked.
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Why can't we just live as people, testifying that we believe in Christ, and let other people decide whether our behavior demonstrates any kind of Christ-likeness. Why must we always use this word to divide our work into "Christian" and "secular"?
Are "Christian books" just for Christians? I hope not. Then why must they bear such a label, which immediately turns so many potential readers away from them... readers who might enjoy them?
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Perhaps we should avoid labeling things like this, and let what we do speak for itself in its truthfulness, its excellence, and its beauty.
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In Through a Screen Darkly, I've written a bit about the apallingly bad art I've encountered that has been labeled as "Christian," and the transcendent, profound art that has led me into deeper relationship with God... art that was made by unbelievers for their own agendas.
Maybe it's not up to us to label these things. Maybe God likes to remind us that he can speak through the most unexpected, "un-Christian" things. Maybe he likes to humble us Christians when we start declaring that our own works are somehow divinely inspired and superior just because we've put Jesus's name on them.
As the Scriptures say, many will come before God and say, "Lord, Lord, look at the things we did in your name!" And he will say, "Depart from me, I never knew you."
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Art is a way of exploring, studying, and investigating God. It is a way of practicing the work of incarnation -- giving things shape, discovering the reflection of God in those things, and then sharing them with others. It is a way of finding that God is present even in the work of those who don't believe in him -- because, whether they like it or not, they are made in his image.
Are we approaching art in that way?
Or are we more concerned with creating codes by which we can judge the works of others and, as a result, judge them?
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Jesus sometimes told his disciples not to go into a community declaring that the Son of God was coming. Sometimes, he wanted his work to speak for itself, and let people start asking questions until they came to that conclusion on their own.
People don't like it when other people start shoving answers down their throat when they haven't even asked a question. But when they ask the question, investigate, and discover it on their own... then, it is theirs. It is personal. It sticks.
So why label these things? Why put a flashing banner on it that says, "Christian! Christian! Christian" before they even experience the work itself?
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This is the kind of path my mind takes on a Saturday afternoon, when I'm not trying to get projects done at work.
Perhaps I need a long vacation.
"Jesus Camp": The "best journalism" About Contemporary Christian Conservatism?
Jeff Sharlet at The Revealer reviews Jesus Camp and says, "I can't recommend it strongly enough. Jesus Camp turns out to be perhaps the best work of journalism -- or art -- dealing with contemporary Christian conservatism."
Let's say that he's right, and Jesus Camp really is the best work of journalism dealing with contemporary Christian conservatism.Read more
Looking for Utopia?
One of the seductions that bedevils Christian formation is the construction of utopias, ideal places where we can live totally and without inhibition or interference the good and blessed and righteous life. The imagining and then attempted construction of such utopias is an old habit of our kind. Sometimes we attempt it politically in communities, sometimes socially in communes, sometimes religiously in churches. It never comes to anything but grief. Utopia is, literally, “no-place.” But we can live our lives only in actual place, not in an imagined or fantasized or artificially fashioned place.
-- Eugene Peterson, Christ Plays in Ten Thousand Places, p. 73.
After posting that quote, Andy Whitman of Paste Magazine and the All-Music Guide launches into another stirring testimony....
The L.A. Times: "Jesus Camp" Update
Here's The LA Times on the hubbub over Jesus Camp, and how the subjects of the film are responding to it.
When Fischer arrived home Tuesday after a few days touring with the filmmakers, her e-mail inbox was loaded with hate mail. She spent the next two days writing lengthy explanations to the most common accusations — "How dare you brainwash those kids!" and "Are you raising up Christian terrorists or another Hitler Youth movement?" — then posted them on her website Thursday.
"I've gotten thousands of hits on my website from those people," she said. "I'm wearing sunglasses in the airports. It's really making me nervous."
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Bowles hoped to build interest among conservative Christians for the film's opening with a word-of-mouth campaign generated by faith-based publicity firm A. Larry Ross in Carrollton, Texas. Instead, only handfuls of people turned out."We were getting good feedback from a lot of Christian groups interested in the film," Bowles said. After Haggard's statements, he said, "it was almost like a switch was flipped and the people who were going to support it the day before were like, 'Oh no. We're not going to support the film.' "
Happy Akemi Day!
One of my youngest friends, Akemi Takashi, daughter of my former coworker and dear friend Kathy Takahashi, is a very big deal today in The Seattle Post-Intelligencer.
If you're a filmmaker looking for a good, inspiring story, you won't find a more engaging youngster than Akemi.Read more
Want Your Movie to Bomb?
Today, Jeffrey Wells considers three things that will guarantee your movie will be unpopular.
And, although it really depresses me to say it, this is probably true.Read more
Sven Nykvist, Cinematographer, Dead at 83.
Sven Nykvist, the man whose camera captured such memorably beautiful and varied films as What's Eating Gilbert Grape, Sleepless in Seattle, The Unbearable Lightness of Being, Crimes and Misdemeanors, Cries and Whispers, Winter Light, and Through a Glass Darkly has died at the age of 83. He won a few Academy-awards, and was one of my favorite cinematographers. This is a great loss, not just for moviegoers, but for the whole world of art.Read more