The only 5-star album I’ve heard thus far this year. If Nine Inch Nails sang the Psalms and invited avant garde jazzbos The Art Ensemble of Chicago to the studio, it might sound like this. – Paste music critic Andy Whitman
In the last several years, I’ve been excited about a few artists and a few albums, and it’s been easy to see. I’ve shouted myself hoarse here on the blog and Facebook, urging people to check them out.
The records that have lit me on fire include:
- Arcade Fire – Funeral and Neon Bible
- Andrew Bird – Armchair Apocrypha
- The Decemberists – The Crane Wife
- Over the Rhine – Ohio and The Trumpet Child
- Joe Henry – Tiny Voices and Civilians
- Sam Phillips – A Boot and a Shoe and Don’t Do Anything
and there have been a couple of little-known artists I wanted the world to discover, like
- The Ragbirds – Yes Nearby
and
- People You Meet – People You Meet.
Alas, People You Meet broke up after one sensational album. After a follow-up and a live album, The Ragbirds are still going, and I can’t wait to hear what they do next.
But today I’m here to recommend that you invest in this guy.
Aaron Strumpel
Get your hands on his new album, Elephants, and stuff it deeply into your ears. Turn it up loud so that you can explore the mix.
Strumpel won the Bandspotting contest at the Calvin music festival this year, a contest previously won by Son Lux. (And then Son Lux went on to earn all kinds of raves on NPR.)
So you can expect you’ll be hearing about him.
Why not climb aboard right now?
Full disclosure: Yes, I know the producer. But I swear to you, I didn’t know he’d produced it when I heard it for the first time. I wrote to him afterwards and my suspicions were confirmed. And I didn’t know he was capable of such complex, exquisite production. I’ve heard other things he worked on and enjoyed them, but nothing made me want to grab the microphone away from Pitchfork or Paste to say, “Music lovers, wake up! Don’t let this one pass you by!” So trust me on this one.
If you won’t take my word for it, listen to Andy Whitman, music critic for Paste:
“So far it’s my favorite music released this year.”
and
“The only 5-star album I’ve heard thus far this year. If Nine Inch Nails sang the Psalms and invited avant garde jazzbos The Art Ensemble of Chicago to the studio, it might sound like this.”
So… wouldn’t you throw down a few bucks to spend some time with this album?
I’ll be writing an honest-to-goodness review when I get the chance.
I downloaded it from his website tonight (it’s not on iTunes). It’s the kind of album where I’m not really sure how good it is yet because there’s so much going on and the songs are so diverse. I like it a lot, but it will take several more listens before I can get my head around it.
I think Bird’s Noble Beast from earlier this year is better than Armchair Apocrypha.
I like this album, too, though by the sound of it you’re a bit more enthusiastic than I! But I really love what Strumpel is trying to do, and I think he mostly succeeds at it: The album is a primal, soulful take on the Psalms, harrowing and holy.
I am routinely disappointed by musical settings of the Psalms. The messy life so evident in the words of David and the other Psalmists is accompanied by music that sounds designed to sell deodorant or toothpaste. “Elephants” sounds nothing like that, and Aaron Strumpel and friends have left the desperation, hope, and beauty intact, in equal measure. I think this is a fabulous album.