Yahoo posts a T-Bone Burnett interview.
In it, Burnett says, “I’m trying not to produce records anymore.”
This is what he told my friend Martin and me more than a decade ago during an interview. We’ll see if he starts trying harder, considering he’s done nothing but produce music since that conversation.
In response to his answer, Yahoo asks, “Why not?” And he offers almost exactly the same reply:
“The best job in show business is to be a free-standing artist–to have your own schedule. When you’re producing, you’re not allowed to set your own calendar to the same degree. I love the studio, and I love making music, but being a professional record producer, unless you’re someone like Dr. Dre, is a tough job. I’m mildly interested in continuing to produce if it’s the right situation. But now it’s my default position.”
And regarding the new album: “This is a comedy record. All the songs are comedies. I hope they resonate that way. I don’t know if they’re funny because that’s an essential ingredient to comedy. If they’re not funny, well, I don’t know … we’ll see.”
T-Bone Burnett is playing Greenbelt this summer. New baby -schnew baby we’re going.
Matt
If T Bone’s new album “The True False Identity” is comedy, then “Schindler’s List” is slapstick.
Interesting that the Yahoo article says that Cassandra Wilson’s new album is “groundbreaking” – but there’s no further information. Based on things I’ve seen re. the track list, it looks like it’s very much in the mold of the albums she’s been amking since Blue Light til Dawn, which came out in 1993. (That’s just an observation on her work, not a criticism – though I would like to see her change gears, for one album at least.)
After hearing long samples on the Blue Note website, well… I think the programmed beats were a huge mistake. I’d much rather hear her with her regular working combo.
Some of what I’ve heard makes me think that Wilson is going after a broader market, a la Lizz Wright and several other young singers who are working more in a soul-jazz vein.