Allen, who will be 70 on December 1, says age hasn’t brought wisdom.
“I’ve gained no wisdom, no insight, no mellowing. I would make all the same mistakes again, today,” he tells the magazine.
I think this statement is borne out in his last film, Melinda and Melinda, which finally I saw over the weekend. Where his earlier films seemed to be asking serious questions about choices and consequences, now Allen just seems content to turn a bunch of selfish characters loose on each other and enjoy watching the damage they do. His stories demean the whole idea of love, and as the sense of sadness has faded from them, they’re just about animals using and abusing each other.
What a sad story his artistic journey has become. I wonder if he’ll ever reconsider whether there might be something more to life, something more fulfilling than hedonism and self-gratification.
I’m hearing raves about his new film Match Point, but I’m not optimistic. It may be wittier than the surprisingly un-funny Melinda, but I doubt it’s any wiser. We’ll see.
Scarlett Johansson, groan.
Had no idea you were such a Piper Perabo fan.
This is fun. I guess we are limited to living actors?
My dream cast would have to include Anthony Hopkins, Emma Thompson, Emily Watson, Nicole Kidman, Paul Giamatti, Bobby Canavale, Judy Davis, Johnnie Depp and Russell Crowe.
Off the top of my head, here’s a long, long list — I would assemble ten from these names:
ACTRESSES
Juliette Binoche
Irene Jacob
Emily Watson
Helen Mirren
Kate Winslet
Emma Thompson
Holly Hunter
Judi Dench
Scarlett Johansson
Miranda Richardson
Patricia Clarkson
ACTORS
Daniel Day-Lewis
Gary Oldman
Paul Newman
Ian McKellan
Gene Hackman
Geoffrey Rush
Billy Bob Thornton
Phillip Seymour Hoffman
Johnny Depp
Jeff Bridges
Russell Crowe
David Thewlis
Val Kilmer
Al Pacino
Alan Rickman
Timothy Spall
David Bowie
And… if they could return to their former glory: Robert De Niro and Steve Martin
I’m actually reading The Prestige right now–I’m that excited about this movie. Best. Cast. Ever.
So far, my expectations for the movie are greatly increased.
In order to find The Prestige affecting, you have to believe that large amounts of electricity (like, 1.21 gigawatts) could be used to clone and transport a living human being. No dice. Can’t see how a screenplay would work around that, but here’s to hoping.
Turn-of-the-century London — which century is that?
I’ve only just come across this, so I will have to try and pick up the book at some point.
Pete mention that you were a big Scarlett Johansson fan. I liked her in Lost in Translation, but can’t really think of anyother film where she really worked for me. People will mention Ghost World, but that was Thora Birch’s film the whole way.
But I am definitely interested in The Prestige bythe mere fact that Nolan and Bale are attached, if Nothing else. (Big Michael Caine fan, but Caine and Jackman have a tendency to do very questionable films)