Image editor Greg Wolfe interviews poet and social activist Carolyn Forché.

I'm traveling at the moment, so I'll have to catch the most important sequel of the decade after everyone else has seen it. But here are some reviews worth reading.

Attention to detail: Darren Hughes interviews the Dardenne brothers about observation and subtlety at work in their new film The Unknown Girl.

You don't have to like Darren Aronofsky's mother!, of course. But don't condemn it without seeing it or considering its complexity. Narrow interpretations aren't good enough.

Who let the dogs out? Looks like Wes Anderson did.

A new interview with Karen Peris raises the question: Who are your favorite children's book illustrators?

David Lynch’s cult-classic revival is exactly as imaginative—and as discomforting—as it always needed to be.

A quick note about the design improvements you're seeing on the website.

If you act quickly, you can listen to three important new end-of-summer releases for free!

Guest reviewer Daniel Melvill Jones reviews Macon Blair's directorial debut, the winner of this year‘s Sundance Grand Jury award.

Arcade Fire's latest is lighter and more streamlined — the most danceable thing that they've done. They're making a whole career out of variations on "I Still Haven't Found What I'm Looking For."

In Part Two of my Spider-Man focus, I zoom in on Spider-Man: Homecoming. How does it measure up to other Spidey films?

Spider-Man has always been the most interesting and compelling superhero for me — the only one whose movies I always want to see. Why? I think I finally figured it out.