I heard this in the car today, and I had to pull the car over.

Digging back into the archives, we've discovered evidence that I reviewed Anchorman: The Legend of Ron Burgundy for Christianity Today on its opening weekend.

Glamorous actresses, agile pole dancing, thrilling needle drops — Hustlers is an edgy crowdpleaser. But what is it really celebrating?

Notes on my moviegoing priorities for this week; streaming services and other movie sources; and my first viewing of The Outsiders (a movie I didn't see in my high school years).

This is the first installment in an new weekly series of miscellany-loaded posts. This one includes notes on my recent encounters with Blue Jay, Luce, War of the Worlds, The Peanut Butter Falcon, and more!

In April, I closed the Sacrament & Story conference in Seattle by posing a challenge to artists and churches, and by addressing a question that has kept you awake at night, I'm sure: If you go into space, will your DNA be rewritten and turn you into an alien?

As soon as I'd started watching the new Netflix series that expands on Jim Henson's The Dark Crystal, I called animator and author Ken Priebe to talk about the artistry of it. Here's our conversation.

In a case of "found poetry," documentarians following a remarkable Macedonian beekeeper have captured a rich and meaningful story of stewardship and injustice.

Here's an idea for a movie: They've taken the woman he loves. So he's out for revenge.

A journal entry about the curse of compulsive reading.

Guest reviewer Damian Arlyn considers the place of Once Upon a Time... in Hollywood in director Quentin Tarantino's oeuvre.

Wild Rose has the stuff to be the year's biggest crowdpleaser... but it's already disappearing from theaters. Don't let it get away.

A personal paraphrase of Psalm 12, in which the Scripture becomes, in the moment, a "living word" indeed.

The summer's most surprising hit, The Farewell has almost every critic singing its praises. Me, I might be a heartless monster, because I wasn't moved by it at all.