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Director - Christopher Reeve, Daniel St.
Pierre and Colin Brady
Writer -
Robert Kurtz and Jeff Hand, based on
a story by Howard Jonas
Director of photography
- Jan Carlee
Music -
John Debney
Producers -
Ron Tippe and Igor Khait
20th Century Fox. 88 minutes. Rated
G.
STARRING THE VOICES OF: William H. Macy
(Lefty), Rob Reiner (Screwie), Raven-Symoné (Marti), Dana Reeve
(Yankee’s mother), Jake T. Austin (Yankee Irving), Mandy Patinkin
(Yankee’s father) and Whoopi Goldberg (Darlin’).
Note: In the
interest of protecting my reputation as an animated-film lover, I’m
going to have to set aside my nit-picking for this review. (See my
review of Monster House if you’re wondering what I mean.) The
truth is, I’ve tried to use the same critical criteria for live-action
and animated films, rather than viewing them as different forms of art,
and I’ve found that it just doesn’t work. While issues of historical
accuracy, character development, and technique still matter in
animation, they’re not as central, perhaps, as in live-action. So I’ll
treat them that way, and leave my comments regarding historicity,
character weaknesses and inconsistencies, poor voice casting, cheesy
music montages, and plotholes for other reviews to cover.]
‘Nough said.
Everyone’s Hero follows the efforts of a
ten-year-old boy trying to restore both a baseball legend’s status and
his dad’s job. When the Chicago Cubs’ manager conspires with the pitcher
to steal Babe Ruth’s prize bat “Darlin’” (voiced by Whoopi Goldberg),
Yankee Irving’s dad loses his position as Yankee Stadium groundskeeper,
and Yankee himself looks like the guilty party. With the help of Screwie,
the talking baseball (Rob Reiner), Yankee sets out to restore Babe’s bat
and his dad’s employment in time for the final game of the ’37 World
Series.
The opening sequence is probably the most creative
and unique visual aspect of the movie—we are treated to a long foul ball
from the perspective of the baseball. It’s a short segment, but just
dizzying enough to be effective and fun. After that, the animation
itself stays pretty routine, though color is used very effectively in
the scenery (a pretty stunning background sunset and the background
details of the stadium scenes come to mind pretty readily).
The theme of the movie, though, is actually worth
discussing—especially since the intended audience is pretty clearly
children. Yankee Irving is a baseball embarrassment—his lack of skill
and coordination make even the geeky kids and fat boys of the
neighborhood team look like major leaguers. So his dad’s encouragement
to “keep swingin’,” even when it looks wiser to give up and sit out,
echoes in young Yankee’s baseball-loving brain as he considers giving up
his quest to return Darlin’ to her rightful owner. His choice to stay
true to his hard-working father in the face of almost certain failure is
sure to provide encouragement for all the other kids who are the last
ones standing in the team-picking lineup, as well as a laugh for those
of us adults who have memories of such painful experiences.
Basically, it’s a good animated feature. Definitely
entertaining enough for the adults whose children will truly enjoy the
pratfalls of Lefty Maginnis, the maniacal ravings of Mr. Cross, the
Cubs’ general manager, and the earnest, pure-hearted loyalty of a
Depression-era boy whose honest, hard-working father’s reputation
— not just his job
— is at stake.
With all the sports-centered films currently
playing in which losers become winners, Everyone’s Hero will keep
America’s kids in the game. It’s honest and clean, and, like Cars,
recalls an era when things like baseball and hard work were things that
mattered to ten-year-old kids and their struggling parents
— as well as loudmouth foul balls
— whose dreams can become reality when
they just keep swingin’.
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